{"id":177638,"date":"2017-05-20T13:27:10","date_gmt":"2017-05-20T07:57:10","guid":{"rendered":"https:\/\/www.colombotelegraph.com\/?p=177638"},"modified":"2017-05-30T17:24:26","modified_gmt":"2017-05-30T11:54:26","slug":"some-street-wise-sore-truths-from-sunil-i-dont-know-why","status":"publish","type":"post","link":"https:\/\/www.colombotelegraph.com\/index.php\/some-street-wise-sore-truths-from-sunil-i-dont-know-why\/","title":{"rendered":"Some Street-Wise Sore Truths From Sunil: I Don\u2019t Know Why!"},"content":{"rendered":"

By Shyamon Jayasinghe<\/a> –<\/strong><\/p>\n

\"\"<\/a>

Shyamon Jayasinghe<\/p><\/div>\n

\u201cIt is the responsibility of intellectuals to speak the truth and to expose lies<\/em>\u201d-Noam Chomsky<\/span><\/p>\n

Sri Lanka needs a broad consensus for its direction in social and political transformation. A realistic and healthy consensus would depend on the right collective perceptions and perspectives. Our academics and intelligentsia have a lead responsibility in creating such perspectives among our people. Except for the movement for good governance initiated in the lead up to the last change of government, our academics have generally been disengaged with what has been going on in our country. A culture of self-centredness reigns among the learned in our island polity. The consequence is that politicians have had the field for themselves alone. <\/span><\/p>\n

In fact, many of our artistes join existing political configurations in order to eke out something for themselves from the ongoing power struggle. The supreme goals of the blessed land is left behind. This is Sri Lanka today. Malaysia and Singapore, once behind us, are forging ahead leaving behind the island torn with dissension and lacking in direction. Governments are like fire fighters- dousing fires as and when they occur.<\/span><\/p>\n

Among the intelligentsia, artistes can play an effective role for many reasons. Not only because they have captured the public imagination. \u201cThrough their expressive talents, artistes can challenge cultural narratives, shift imagery and inspire emotions in a way that traditional political methods alone rarely do.\u201d In a 2013 essay entitled \u201dChange the Culture, Change the World,\u201d artiste\u00a0 <\/span>Favianna Rodriguez puts it this way: \u201cYou may attend a rally or vote, but you also read books, listen to music, engage with visual art, turn on the radio and create your identity through culture. Artists are central, not peripheral, to social change. To have the movements that make the wave, you need cultural workers.\u201d\"\"<\/a><\/span><\/p>\n

Sunil Perera | Photo courtesy Gypsies Facebook page<\/em><\/p>\n

Sri Lanka, unfortunately, have had few cultural workers taking the lead in a desperately needed transformation of social and political milieu. Some of these guys have also joined the bandwagon of the growing numbers of birds who feather their own nests. We had one prominent and talented man who once announced that the former President, Mahinda Rajapaksa, hails from the same pedigree line as Sakyamuni Buddha! Other artistes are seen on reactionary political stages clowning on behalf of reactionary reversal. This has been historically true of other societies, too. Some artists, like Van Gogh or Pollock, have been true to their own aesthetic vision; others, like Picasso and Warhol; not. One critic, observing how Picasso mass produced some of his work (50 versions of the same line) asked,\u201cDid Picasso mass produce art out of greed?\u201d Greediness is human-unfortunately. To empathise with the \u2018dishonest,\u2019 among us we have to realise that our kind of artiste do not make mega bucks like those in the West. Our art is still in its infancy as regards market maturation. <\/span><\/p>\n

Onto the happier side, came Nanda Malani who once sang against social injustice. She has since retired into her own world. I know, at one stage she was threatened. Artistes are free spirits unchained by status quo who, by that token, have often invited the wrath of authoritarian rulers. On the other hand, Gypsies leader, Sunil Perera, stands his own ground-unafraid and unbowed today- rather a lone star- that beckons change. He has been doing it for decades now. As a performing artiste, Sunil still attracts big crowds. He sings and acts with his inimitable hat on. He mimics and parodies beautifully with his own original lyrics and music. A most amiable\u00a0 <\/span>man. His satire\u00a0 <\/span>in word\u00a0 <\/span>and voice is utterly telling and impactful. What is also important is that Sunil transcends the current political\u00a0 <\/span>configurations and positions himself above the conflict.\u00a0 <\/span>He declined overtures from President Premadasa to sing at Gam Udawa<\/em>. He never got onto a Rajapaksa stage. In Australia, Sunil Perera has attracted crowds in full capacity halls at a gate of $100 and over. What he sings relate to our thoughts.<\/span><\/p>\n

Sunil Perera\u2019s modus operandi is to compose songs that will not merely be entertaining; but also cognitively transformative. His singing acquires depth on that score. After listening to his song, \u201cI Don\u2019t Know Why,\u201d who amongst us can avoid laughing at the comic hypocrisy of our political leaders; sensing the outrage of our dysfunctional political system. Sunil\u2019s is a subversive voice that audiences enjoy. Subversion of the prevailing order is a precondition for its demolition. Here is a translated excerpt of this famous song:<\/span><\/p>\n

\u201cHaving won\u2026.<\/span><\/p>\n

How come they put on layers of fat, akin to a shark?<\/span><\/p>\n

Upon defeat, how do they become thin like the geckos?<\/span><\/p>\n

The gecko becoming a shark <\/span><\/p>\n

The\u00a0 <\/span>shark becoming a fat swine?<\/span><\/p>\n

Why?<\/span><\/p>\n

MPs and Ministers <\/span><\/p>\n

Will\u00a0 <\/span>tell you that.\u201d<\/span><\/p>\n

There is a video of a TV interview with Sunil Perera, travelling these days all over social media. Sunil conveys some street-wise home truths in this. He even undermines the sanctimonious humbug of nationalists. Who says our country is a divinely fortunate land (\u2018pinketha<\/i>\u2019), Sunil asks his interviewer. If that is so, why are so many of our young people risking their lives and going in boats as refugees? Hoards of Sri Lankans have left the land to live in foreign lands-UK, Europe, Australia etc. If we are a \u2018pinketha,<\/i>\u2019 it should be the other way about: people in other countries\u00a0 <\/span>should come and live here in Sri Lanka. \u201cSee how very difficult the life of ordinary families are here,\u201d Sunil says: \u201cTake the example of trying to find a school for a child. You have to beg behind politicians and pay big bribes to get a school. Some parents have even come to me to ask me to intervene.\u201d\u00a0 <\/span>Why should this happen at all? You go to Australia and you can have the option of five good schools for your child there. \u201c In my case,\u201d adds Sunil, \u201cI have made my money and I still do.But how about the multitude of others?\u201d<\/span><\/p>\n

Throughout history, artistes have helped promote social change in different countries.\u00a0<\/span>Both the French Revolution and the Russian Revolution had been presaged by an intellectual background largely formed by artists. Artistes do so not as blatant message-senders. It is not the purpose of a drama, a novel, a poem or a painting to give any message. On the other hand, what happens in a good artistic production is the dawning of a new realisation by way of a vicarious experience on the part of the audience. A good novel, for instance, gets the reader to \u201cexperience,\u201d and \u201cfeel,\u201d like the characters and situations in the novel. In this manner, some kind of mutation does occur inside the mind of the reader.John Lennon famously sang, \u201cImagination,\u201d where he imagined a world without religion. His listeners come to share that imagined world with him.<\/span><\/p>\n