27 May, 2022


Staging Fiction, Rewriting History

By Sinthujan Varatharajah –

Sinthujan Varatharajah

The makers of ‘Midnight’s Children’ are known for their anti-fundamentalist stance, but the production of the film in Sri Lanka raises questions.

At sunrise, Saleem parachutes from a Pakistani Air Force transporter plane with a mission to kill. But he arrives too late in what was then East Pakistan – the Pakistani Army has already lost to the Bengali Mukti Bahini (freedom fighters) and the Indian Army. Mass killings of Bengali civilians had taken place at the hands of Yahya Khan’s ruthless army. Among the trapped Pakistani soldiers is Saleem, a young recruit in the Pakistani army. He finds himself in the midst of a lush green landscape, wearing his helmet, protective glasses and uniform. The camera slowly ascends to capture the beautiful Bengali wetlands, and moves over piles of half-naked bodies, spread over the wet grass, mingling with the idyllic landscape. Smoke rises in the distance from behind the jungle. Saleem limps past dead civilians in his Pakistani uniform. A singing farmer appears. The only living person in sight, he desperately tries to catch up with Saleem. He rushes past half-naked, blood-smeared bodies of men, both Mukti Bahini and ordinary farmers, who seem to have been handcuffed and executed. Some of the dead are blindfolded, too. Sounds of gunfire can be heard in the background. The fighting is still raging, it appears, despite Pakistan’s official capitulation. The farmer catches up with Saleem, who trips and falls into a puddle surrounded by dead bodies. He examines Saleem, who lies exhausted and wordless, before helping him up. Saleem stares in confusion at the bodies around him. The farmer tells Saleem about Pakistan’s defeat. Saleem and the man suddenly get into a fight over a silver basin Saleem is carrying. Saleem clings to the item and walks off, looking confused. The farmer throws a sarong at him, instructing him to change out of his army uniform. This is now Bangladesh.

Read more

*Sinthujan Varatharajah is a PhD student in political geography at the University College London, University of London. Follow him on twitter @varathas.

Print Friendly, PDF & Email

Latest comments

  • 0

    89,000 Tamil Mahaveer war widows are rising.

    Another war will turn all Tamil women into war widows. And all army men into their beloved grease devils.

    • 0

      Before that happens your beloved Rajapaka & Co would have bankrupted the country. Keep dreaming.

    • 0

      Good piece Mr. Varatharaja! I suppose the moral of the story is that we best “render unto Ceaser the things that are Ceaser’s..”..
      There is NO CLEAN PLACE in South Asia today, which is a bloody and militarized sub-continent – where missiles are considered art by the MILITARY BUSINESS COMPLEX that runs Pak-India-SL etc. Indeed perhaps in the world where militarization is deemed a panacea for “national security” and We are all caught in webs of meaning that we ourselves have spun!
      The Movie Midnight’s Children was a wonderful, visually splendid, magico-realist and powerful liberal western critic of ethno-religious sectarianism and its violence after all that’s said and done. That achievement of Mehta and Rusdie STANDS and hats off to them..

    • 0

      How long did it take the numerically much greater Sinhala army to defeat the LTTE and that only because of considerable International support and defections from Tamil groups.
      The International community is watching , so don’t think you are going to get rid of Tamils from SL. Remember that Lee Kuan Yew said recently that you (regime supporters) can’t get rid of the under 2 million SL Tamils so you have to find a political solution.

Leave A Comment

Comments should not exceed 200 words. Embedding external links and writing in capital letters are discouraged. Commenting is automatically disabled after 5 days and approval may take up to 24 hours. Please read our Comments Policy for further details. Your email address will not be published.